前身(🕕)是皇(🌠)軍軍港的吳港,戰後(📒)成為船(🍩)塢工人的生活煉(🕸)獄。在資本家剝(🎺)削和枯(kū )燥生(shēng )活(🐉)的雙重煎熬下,躁動(dòng )的(de )年輕生命,一頭栽(zāi )進暴力(lì )漩渦(😎),延擱成(🐿)長,終日(🎩)在打鬥、賭(dǔ )博、酗酒中尋(xún )找暫(🛹)時的(de )麻醉(zuì )。吉(jí )田喜(xǐ )重(chóng )(🎫)通過工頭之眼(yǎn ),對(🚸)不合理的社會現實作(🤷)出欲迎還(🚢)拒的批判,被視為日本新(xīn )浪潮代表作之(zhī )一。香(🌊)山(shān )美子(🥔)飾演純真的酒(✋)館女待(🙌),同(tóng )情工人(rén )卻(què )(👓)慘被強姦,正與(yǔ )負的能(🥫)量,在大(🔔)時代(🤲)中比(bǐ )拼(pīn )(😍)互滲,可有超越(🥕)對與錯(cuò ),是與非的(🕯)位(🌮)置(zhì )?片(piàn )末火車站送別一場,在家和社會之間,吉田喜(xǐ )重作出(👪)了左(🤷)翼(🃏)的選擇(zé )。 (💹) One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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