前身是(🍅)皇軍(jun1 )軍港的吳(wú )港(🐽),戰後成(🏽)為(wéi )船塢工人的(de )生(😘)活煉獄(🛍)。在資(zī )本家剝削和枯燥生(🥈)活的雙重煎熬(áo )下,躁動(dòng )的(😧)年輕(qīng )生(🌫)命,一頭栽進暴力漩渦,延擱(gē )成長,終(👑)日在打(🗄)鬥、賭博、酗酒中尋找(🥄)暫(🛹)時的麻(má )醉。吉(🛺)田喜(xǐ )重通(tōng )過(🗑)工頭之眼,對不合理的社會現實作出(🔊)欲迎還拒(🌙)的批(pī )判,被視為日本新浪潮代(🔢)表作之(zhī )一。香(🌊)山美(měi )子飾(💻)演(yǎn )純真(📙)的(de )酒(jiǔ )館女待(dài ),同(🤸)情工人卻(què )(👓)慘(cǎn )被強姦,正與負的(de )能(néng )量,在大時代中比拼互(💠)滲(shèn ),可(kě )有超越對與錯,是與非的位置(👣)?片(piàn )末火車站(zhàn )(💹)送別一場,在(zài )家和社(🐾)會之間,吉田(🐛)喜重作(🐨)出(👪)了(🥋)左(🤷)翼(yì )的選擇。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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